Released on the 16th of June, 'Kenopsia' is the latest EP from Indie-composer, singer and producer Elizabeth J. Birch.
Featuring five immersive tracks, the EP explores personal grief, solitude and abandonment, making this a sentimental and incredibly moving body of work. What initially drew me to Birch's music was the intriguing vocal production; it reminded me of the Japanese band Kalafina, known for their strong vocal harmonies and cinematic melodies which blend industrial music with hints of baroque pop [eg. their song 'Lacrimosa' or 'Magia'].
"Definition of Kenopsia: n. the eerie, forlorn atmosphere of a place that’s usually bustling with people but is now abandoned and quiet"
Birch's opening track, 'Kenopsia' encompasses the lead vocals within a reverbed backdrop that places the listener in a trance, incorporating layers of synth melodies that elevate the chorus. 'Barely' and 'Come Home' continues to touch upon introspective themes with the lyrics presenting someone who is processing the multiple stages of grief whilst revisiting the past, something that can be comforting but equally painful.
A highlight from the EP is 'Wallpaper' which evokes a sense of claustrophobia mirrored in the experimental synth instrumentation that places strong emphasis on Birch's stunning and powerful vocal range that soars in the bridge. Throughout the EP and most significantly in the final track 'Night Turned Morning', Birch's vocals remain at the forefront of 'Kenopsia', with a siren-like quality that captures the listener's imagination whilst showcasing Birch's incredible talent both as a composer and songwriter. This has to be one of the best EPs from this year, it is hauntingly beautiful and one I would highly recommend checking out! Listen to 'Kenopsia' in the link above or hear the EP in full on my Spotify Reviews Playlist (link in bio).
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